![]() ![]() The generation of MIDI notes from audio material offers a wealth of different creative possibilities. ![]() You can use this technique, for example, to derive from a drum loop a quantization reference for other MIDI tracks in your DAW. For example: F2 (pressed once)- pitch tool. Now, just save the file where it is convenient for you, and you’re done You can see the process in action above (click on the animated GIF if you’d like it to appear larger). If you press on the shortcut keys more than once it will toggle between the different functions of that particular tool. If you are using a PC with Windows 7 8.1, simply open Finale’s File menu, go to Export and then select PDF. That is equally true whichever algorithm is used, with a few algorithm-specific exceptions: In the case of vocals, breaths are not exported as MIDI notes and if you save rhythmic material or material edited with the Universal algorithm as MIDI, all the MIDI notes will share the same pitch but take their position, length and amplitude from their audio equivalents in the rhythm track. Here’s a small list of some shortcuts I use the most: F1- Main Tool. The velocity of each MIDI note is derived from the amplitude of the audio note it represents. For each audio note, a MIDI note is created with the same position, length and pitch. The MIDI notes are an exact representation of the audio notes in Melodyne. Melodyne allows you to export audio notes as MIDI notes, in order, for example, to double your vocals with a sound from a software synthesizer. ![]()
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